She will lead a question-and-answer session with University of Wisconsin film scholar Jocelyn Szczepaniak-Gillece following the Oct. candidate in the film and media studies program. “One of the goals for these events at the Pollock is to expand our understanding of special effects, or at least to reconsider how we think about the concept,” agreed Hannah Garibaldi, a Ph.D. Thinking about how technology can create alternative worlds - as well as capture this world - has been both a challenge and an opportunity for filmmakers since the beginning.” “Special effects did not begin with digital technology. “We’re trying to take the long view,” said Patrice Petro, Dick Wolf Director of the Carsey-Wolf Center and holder of the Presidential Chair in Media Studies.
#The movie magic series
1, the series will demonstrate how dazzling imagery can drive drama and provide memorable moments of visual storytelling. In six programs at the Pollock Theater beginning Oct. When the creators of “The Wizard of Oz” used fabric to create the tornado that whisked Dorothy and Toto clear out of Kansas, that was a special effect.įor its fall film series, UC Santa Barbara’s Carsey-Wolf Center is exploring the wide range of techniques that fall under that umbrella term. But the concept far predates the era of computer-generated imagery. For most moviegoers, the term “special effects” conjures up images of monsters or space aliens defying the laws of nature.
0 kommentar(er)
